by Stephen Thomas Erlewine
Following the twin peaks of Still Bill and Live at Carnegie Hall in the early '70s, Bill Withers had a little trouble sustaining his peak of creativity, along with his chart positions. He still made good music and had hits, but had trouble delivering a consistent album that brought him back to the heights of his Sussex work. Finally, in 1977, he delivered Menagerie, an assured return to form by one of soul's greatest singer/songwriters of the '70s. If Menagerie doesn't have the earthiness or consistent brilliance of Still Bill, it nevertheless has a solid set of songs and an easy, relaxed charm that is thoroughly winning. Where his Sussex material was slyly eclectic, touching on a number of different styles, this album is more cohesive, a smooth album that points the way toward quiet storm while retaining a warm soulfulness, largely due to Withers' wonderful voice. Even when the tempo gets sprightly, as on &Lovely Night for Dancing,& there's a relaxed vibe and a nice sheen to the production that keeps things even-handed and easy. As such, those listeners who preferred the darker undercurrents that ran through such songs as &Use Me& and &Who Is He (And What Is He to You)?& may find this a little too amiable, but that's just a matter of taste -- this is an easy record to like, after all, with a consistent tone and a soothing vibe, plus a good set of songs. If it's not as distinctive as his Sussex records, it's nevertheless an undeniable high point in his catalog. [The 2003 reissue contains three bonus tracks: a previously unreleased demo of &Rosie,& a single version of &Lovely Night for Dancing,& and an instrumental of &Let Me Be the One You Need.&]