by Amy Hanson
As controlled as their self-titled debut was loose, War's sophomore effort, All Day Music, appearing a little over six months later in November 1971, was packed with subtly understated grooves. A hit with the fans, the LP peaked in the Top Ten, ultimately spending a massive 39 weeks on the charts. Side one is a gorgeous slab of mellow grooves and jazzed funk highlighted by both the title track and &Get Down,& while &That's What Love Can Do& is an outstanding, textured, sleepy love affair revolving around the band's superior vocal harmonies and a tenor sax solo. The light, spare rhythm is like a warm treacle binding. With just three songs picking up the second half, War steps up the pace across the Latin-influenced jam &Nappy Head,& the funky, bass-laden &Slipping Into the Darkness,& and the all-out electric blues jam that rips through the prototype &Baby Brother.& The latter was recorded live on June 30, 1971, at California's Hollywood Bowl and would, in revised and seriously edited form, be reborn as the monster &Me and Baby Brother& on War's Deliver the Word opus. Not nearly as fiery (with the exception of &Baby Brother,& of course) as either their live performances or later albums, All Day Music is still one of this band's best-ever efforts. At times mellow enough to border on horizontal, the songs are filled with such texture and such rich intent that even in the band's quietest breath there is a funky resonance that fulfills Lee Oskar's vision fully.