by Thom Jurek
&If the voice don't say it, the guitar will play it,& raps Saffron on &Pork-U-Pine,& the third track on Jeff Beck's minimally titled Jeff. And he does. Beck teams with producer Andy Wright, the man responsible for his more complete immersion into electronic backdrops on his last outing, You Had It Coming. This time the transition is complete. Beck used electronica first on Who Else!, moved a little more into the fire on You Had It Coming, and here merges his full-on Beck-Ola guitar heaviness with the sounds of contemporary spazz-out big beats and noise. Beck and Wright employ Apollo 440 on &Grease Monkey& and &Hot Rod Honeymoon,& and use a number of vocalists, including the wondrously gifted Nancy Sorrell, on a host of tracks, as well as the London Session Orchestra on others (such as &Seasons,& where hip-hop, breakbeats, and old-school Tangerine Dream sequencing meet the guitarist's deep blues and funk-drenched guitar stylings). As for atmospherics, David Torn (aka producer Splattercell) offers a shape-shifting mix of glitch tracks on &Plan B& for Beck to wax on both acoustically and electrically, and make them weigh a ton. But it's on cuts like &Trouble Man,& a purely instrumental big drum and guitar skronk workout, where Beck truly shines here. With a rhythm section of Dean Garcia and Steve Barney -- and Tony Hymas appears as well -- Beck goes completely overboard: the volume screams and the sheer crunch of his riffs and solos split the rhythm tracks in two, then four, and finally eight, as he turns single-string runs into commentaries on everything from heavy metal to East Indian classical music. ... Read More...