1970年的电影音乐合辑《Soundtracks》,引进了日本歌手Kenji "Damo" Suzuki,她的《Mother Sky》也是乐队最为人所知的作品之一。1971年的《Tago Mago》令他们迈出了梦幻的一步,这张专辑完全摆脱了流行音乐在形式、结构上的限制,探索了即兴创作、角度旋律等实验元素。
Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than that allowed by Mooney's stream-of-consciousness discourse.