Wagner: Das Rheingold 瓦格纳：莱茵的黄金
- 艺人
- Joseph Keilberth
- 语种
- 德语
- 厂牌
- Testament Records
- 发行时间
- 2006年01月30日
- 专辑类别
- 录音室专辑
专辑介绍
The first stereo Ring Cycle
Richard Wagner
DER RING DES NIBELUNGEN
A Stage Festival for 3 Days and a Preliminary Evening/Ein Bühnenfestspiel für 3 Tage und einen Vorabend/Un Festival scénique pour 3 jours et une soirée
Prologue/Vorabend
DAS RHEINGOLD
Wotan - Hans Hotter
Fricka - Georgine von Milinkovic
Loge - Rudolf Lustig
Alberich - Gustav Neidlinger
Mime - Paul Kuen
Donner - Toni Blankenheim
Froh - Josef Traxel
Freia - Hertha Wilfert
Erda - Maria von Ilosvay
Fasolt - Ludwig Weber
Fafner - Josef Greindl
Woglinde - Jutta Vulpius
Wellgunde - Elisabeth Schärtel
Floßhilde - Maria Graf
Orchester der Bayreuther Festspiele
conducted by/Dirigent/direction: Joseph Keilberth
Recorded/Aufgenommen/Enregistré: Festspielhaus Bayreuth, Sunday/Sonntag/dimanche 24 July/Juli/juillet 1955
by James Leonard
A perfectly acceptable performance, Joseph Keilberth's Das Rheingold at the 1955 Bayreuth Festival would no doubt have satisfied most listeners. But although the performance was taped in stereo by Decca, the recording remained unreleased until 2006 when Testament finally issued it, and by that time finer performances, including Decca's own Rheingold with Georg Solti, had appeared and rendered Keilberth's more or less superfluous. It's not that there aren't great things here. The men are first rate, especially the magisterial Hans Hotter as Wotan, the malevolent Gustav Neidlinger as Alberich, and whiney Paul Kuen as Mime. Even the giants, Ludwig Weber as Fasolt and particularly Josef Greindl as Fafner are splendid. The women are less appealing: Georgine von Milinkovic as Fricka is too harsh and shrewish, while the Rheinmaidens are too cute and girlish. But Keilberth himself is the biggest disappointment. A more than competent conductor, Keilberth moves the music forward with confidence and supports the singers with sensitivity, but rarely does he elicit more than adequate playing from the Bayreuth Festival Orchestra and never does he make the orchestra a full partner in the drama. For listeners who are already deeply familiar with the contemporary Rheingolds of Furtwängler, Knappertsbusch, and Krauss, Keilberth's will be an interesting addition. But for listeners not already familiar with those greater Rheingolds or with the later Rheingolds of Solti, Karajan, Haitink, Sawallisch, and Levine, Keilberth's will not be particularly interesting, much less necessary. The first stereo recording of the work, this Rheingold has amazingly clean and evocative live sound for its time.
最新简评（共7条）
- @硯(AGAPE.)：莱茵河底金，人心海底针
- @aurora(O)：
- @星花火：大场面的感觉，好华丽，不过一句都听不懂
- @未知生物：封面是为了表现人的自恋情结和“阿尼玛”“阿姆尼”倾向的心理世界吧。
- @一念万年(一切随缘)：Nice
- @迷幻意念：.
- @ophelia✿(drowned.)：无损转320K