by Steven McDonald
Boney James comes from somewhere over in the easy listening corner of jazz, with rhythms bordering on funk in one direction and soft soul in the other, with a lot of programmed drums (very well done) and deep, dark synth bass. Sometimes a male voice will venture out into the mix, but this isn't a particularly significant portion of the program -- just the right sort of sound for this kind of laid-back, late-night, easy listening material. James himself handles alto, tenor, and soprano sax duties with ease, playing relaxed, weaving lines throughout each cut and working with some decidedly pleasant arrangements. Seduction is smooth and self-assured, well-dressed, and fairly unremarkable.