The performance of Beethoven’s Ninth Symphony given to mark the reopening of the Bayreuth Festival in 1951, with Wilhelm Furtwängler as high priest, has some memorable flaws (that agonisingly out-of-tune horn solo in the slow movement!), but this is Furtwängler’s most rhapsodic and idealistic traversal of the choral finale on record, and the whole proves an incomparably vivid concoction of energy and breadth, tradition and vision.
-- BBC Music Magazine