Beethoven: Symphony No. 5 / Bruckner: Symphony No. 6 贝多芬：第五交响曲 / 布鲁克纳：第六交响曲
- 艺人
- Wilhelm Furtwängler
- 语种
- 其他
- 厂牌
- Melodiya
- 发行时间
- 2006年07月18日
- 专辑类别
- 录音室专辑
专辑介绍
Beethoven: Symphony No. 5 in C minor, op. 67 (Live recording: Berlin, 26.06.1943)
Bruckner: Symphony No. 6 in A (movements II-IV) (Live recording: Berlin, 13.11.1943)
These fascinating and important recordings by Wilhelm Furtwängler and the Berlin Philharmonic were recorded in Berlin during the Second World War. The Reich Radio Company (RRG) recorded these Furtwängler concerts using the recently developed magnetic tape recorder (Magnetophon) between February 1942 and January 1945. These tapes vividly captured the peak of Furtwänglers art. In April 1945, after the occupation of Berlin by the Soviet army, these tapes were taken back to the Soviet Union. Many of the recordings were issued some ten years after the end of the War, when the state-run record company Melodiya issued LP’s from the tapes - they were not generally known in the West for another decade and information became abundant only after the collapse of the Soviet Union in 1991.
In the immediate post-war years, the Furtwängler war-time tapes were broadcast on Moscow Radio and these recordings certainly had a profound impact on musicians in the Soviet Union and some indeed changed their perception of music after listening to Furtwänglers interpretations. This included some of the “Moscow school”; Svetlanov, Kondrashin, Rozhdestvensky, and the young David Oistrakh. There was one factor above all which drew Russian audiences to these performances and that was the visceral electricity to be found listening to these live recordings, whilst Furtwänglers musicians were playing to packed halls during a break in RAF bombing raids. These Melodiya recordings bring to light performances of the war-years which have an intensity often absent from post-war recordings by the conductor.
The German maestro’s concerts were recorded on magnetic tape granting a superior fidelity not normally obtainable. These ground-breaking machines gave a true representation of a live concert, capturing the atmosphere of a packed concert using three microphones - never before had such advanced techniques been used to recreate a concert. Because of this, Furtwängler changed his ambivalence to recording and these broadcasts became a staple part of his work from 1941.
最新简评（共7条）
- @小雪雪猫猫：
- @nexklee(大音希声色犬马)：这个版本的布六太美妙了，可惜是残本，原专辑就没有第一乐章，唉
- @麦丘：交响乐之父——海顿晚期的作品 估计对贝多芬的启发不小 这位来自波恩的**者 有着强大的意志&能量 贝5完稿于1808年 中期代表作之一 W.F的指挥 贯有的一气呵成 荡人魂魄 版本虽是单声道的 可节奏&力度&速度 没什么可挑剔的 不晓得 当年台下那些第3帝国的将士们 是否以此来鼓舞士气哦 。。。就虔诚的教徒——布鲁克纳而言 W.F这个率真的英雄主义者 似乎不算是最匹配的诠释者
- @Shane：人家就是喜欢嘛。
- @Patrick Li：哈哈，多謝 ！ ophelia✿ (drowned.) 2013-12-26 23:32 还有的, 待续! :)
- @ophelia✿(drowned.)：战时Melodiya传奇录音系列, 卷十一. 搜索Legends in Melodiya或战时Melodiya传奇录音都可以得到全套结果. 无损转320K.