Bach: Flute Sonatas, Viola da Gamba Sonatas 巴赫：长笛与古大提琴奏鸣曲
- 艺人
- Johann Sebastian Bach
- 语种
- 其他
- 厂牌
- Philips Duo Records
- 发行时间
- 1993年10月18日
- 专辑类别
- 录音室专辑
专辑介绍
"The Complete Flute Sonatas" says the sleeve—an overstatement; these discs offer Bachs genuine flute Sonatas plus two he didnt write, the C major and the E flat, and one, the G minor, which seems to be neither his nor for the flute. The only source says it was for the violin. It does not follow that the interlopers will waste your time. The C major may be poor, but the E flat is a charming work, very well written for the instruments, and much more interesting than, say, the genuine sonata for solo flute which may well be worth playing but it is hardly worth hearing. The best works are the splendid B minor which has a written-out harpsichord part and the E minor, one of three with continuo accompaniment. Some may think that Rafael Puyana realizes these continuo accompaniments with too much invention and personality, but I admired his skill and he has very ably supplied the missing passage in the first movement of the A major, a goodish sonata of which the old Bach Gesellschaft edition published only the three completed movements.
Maxence Larrieu has a nice full tone (reinforced by a rather close balance) and remarkable breath control. Towards the end of the second movement of the E minor he adds a cadenza for which there is no musical justification, but it may be that only so could he make an opportunity for refilling his lungs. One listens amazed both to his virtuosity—he plays some movements very fast indeed—and to his apparent ability to stay alive without breathing. In 1968 1 felt he did not play slow movements with quite enough expression, but I think this no longer. Expressiveness is not so fashionable as it was. Nor are the frequent changes of registration we hear from the harpsichord. The balance is excellent.
– Gramophone [9/1982], reviewing an earlier release
热门评论
- @朴云：羽管键琴弹得真好，这一版长笛和羽管键琴很平衡，而不是长笛一枝独秀。
- @朴云：“Rafael Puyana(1931-),出生于哥伦比亚波哥大,幼时学习钢琴,13岁时Puyana有机会听到了兰多芙斯卡的海顿D大调协奏曲录音,对大键琴产生了浓厚的兴趣,尔后他前往美国学习音乐理论和大键琴演奏,老师正是兰多芙斯卡.Puyana24岁时开始世界范围的巡演,用的乐器是仿制兰多芙斯卡的一架现代Pleyel大键琴(兰多芙斯卡自己就是制琴专家),60年代初定居巴黎,后来他从事教职,Hogwood即出自他的门下.Puyana演奏技术精湛,曲目广泛,被认为是最得兰多芙斯卡真传的演奏家。”（转载）
最新简评（共36条）
- @吻猪一郎(我们在群星相见。)：长笛巴赫。
- @Eukelade( 每天都在精分)：这版真好听
- @大喵(不要自我设限.....)：
- @枫儿潇潇(喵~)：最近的电台放了几次这张碟了，真的很棒！平衡之美！
- @錳鎷君(Eine kosmisc...)：好
- @混迹：巴赫的音乐真的超级适合阅读啊！《激荡三十年》上，打卡。
- @benx4(我还没想好要写什么...)：音质要比另一个版本好很多 曲速略快
- @浅、艾(锦绣成绮丽，摇曳总薄烟。)：这是大键琴吗？跟和钢琴合的版本感觉差异好大啊，感觉更复古了，喜欢这个风格！！！
- @sound_fury(daydream)：开心买到了这张cd
- @星星( 孤独的爵士钢琴手～)：可以