Beethoven: Symphony No.9 贝多芬：第九交响曲 (黑色贝九)
- 艺人
- Wilhelm Furtwängler
- 语种
- 其他
- 厂牌
- Archipel
- 发行时间
- 2004年01月01日
- 专辑类别
- 现场专辑
专辑介绍
强烈建议对历史录音和富特文格勒战时比较了解的朋友理性欣赏。
此专辑为争议颇大的希特勒生日前夜富特文格勒指挥柏林爱乐的贝九现场录音。
by James Leonard
There are arguably greater recordings in existence of Wilhelm Furtwängler conducting Beethoven's Ninth Symphony: the searing 1937 in London, the celebratory 1951 in Bayreuth, the serene 1954 in Lucerne. But all Furtwängler's other recordings of the Ninth were essentially inspired re-creations of the same ecstatic conception: the Ninth as the supreme musical embodiment of humanity's highest and loftiest spirituality. But while certainly inspired, Furtwängler's Ninth from April 19, 1942, in Berlin, is anything but ecstatic, much less high or lofty, and surely not humane or spiritual. The result of the conductor's having been forced by Goebbels into performing the work for Hitler and the Nazi high command on the eve of the Fuhrer's birthday, Furtwängler's 1942 Ninth is the nemesis of all that is good and true and holy. It is a performance that denies Beethoven's joyful brotherhood under a loving God and instead hymns the Nazis with diabolical fugues and demonic choruses climaxing in a coda that hurls the whole edifice into the infernal abyss. It is one of the most deeply frightening performances of anything ever recorded.
There have been dozens of releases of this recording on compact disc and their quality has varied from almost unlistenable Italian pirates to nearly transparent Japanese remasterings. This release is almost unlistenable in the climaxes but otherwise a reasonable representation of the original recording. What distinguishes this release from all others is that it is much longer: it includes the applause before and after the performances, the pauses between movements, and the German radio host back-announcing the performance. Thus, this is the first complete recording of the Nazi response to Furtwängler's performance. They greeted him with enthusiastic applause, remained raptly silent between movements, and again after the end before bursting into rapturous applause. It is one of the most profoundly horrifying sounds ever recorded.
热门评论
- @更夫雨田君：已发布。希望喜欢富老的朋友能喜欢这张传奇录音。 顺便说下，这个版是我最喜欢的贝九没有之一。
- @boogee：面对着希特勒，老富也是拼了。
- @言多必失：好喜欢，可惜我不是技术大神，不会修复音质，如果可以还原当年的品质一定是惊天地泣鬼神的巨作。感谢富尔特文格勒大师在那种环境下忍辱负重为人类留下了这么好的艺术素材。也必须承认老希和他的部下都是受过高等教育会欣赏这么伟大音乐的人。不像同时代某某某和某某某把艺术家屠戮殆尽，几乎毁了半个世界的文明。
最新简评（共46条）
- @wsh：逼良为娼的一声怒吼
- @肥波(诚意)：第二第三为什么不能播放
- @黑骆驼(I love class...)：历史的回声
- @桌子：贝多芬最好的诠释者 范本录音 录音质量不好是受当时的录音技术所限 但是大师就是大师 即使录音质量不好 听完后也能感觉大师的风采 不听富特文革勒的尤其是贝九 等于去西天的路只走了一半儿 没有见到真神如来 (我看了一下网上的富特文革勒的专辑 发现一个有意思的是 就是很多都可能是数字重置版 目前有几种再版的方式 我只说两种主要的第一种是 原始母带还在 用原始母带复制黑胶和cd这样复制音质不输给当时的声音 这种我用俗话说就是模拟复制 第二种复制是原始母带遗失了 没有了 只能拿黑胶去复制 黑胶和cd 这样就数字化等于重置 音色未必好听 尤其是只听老黑胶的人一听就知道了 这种是数字复制
- @Dicky777Wang( 㐂...)：傲霜斗雪!
- @pete747：史上最愤怒，慷慨激昂的贝九交响曲！
- @Pink Floyd(一条懒狗)：传说中的贝九
- @我总是让自己无所适从(贝多芬说：音乐应当使人类...)：此专辑为黑九，为希特勒庆生的1941
- @麻子炉：黑色贝九