by Amy Hanson
Adding vocalist Alice Tweed Smith to their lineup, and jumping ship to the MCA label, were occasions that only furthered War's slide into a decisive end-of-decade malaise as they followed their hit label debut, Galaxy, with The Music Band in spring 1979. The lackluster start to a series of three loosely connected albums, The Music Band revealed a late-decade War not as the fierce funkers they once were, but as the purveyors of a lite jazzy disco that occasionally scraped the bottom of a now well-worn barrel in a fruitless search for some classic rhythms. Jumping straight into the fray with the title track, War deliver a mid-tempo tribute to their fans that would have been more at home on the stage of some rock opera than on what one hoped would be a funk album. This experience is repeated at the end, too, as the band drops the curtain with the oddly reggae-inflected &All Around the World.& However, there is some redemption, as War finally remember what they do best across the jazzy jam of &Millionaire& and the disco fusion of &Good Good Feelin'.& But those are the high points in what is, overall, a disappointing set and a horrific precursor to two more volumes of self-gratifying concept rock, as War shifted gears and tried to figure out where their politicized funk belonged in an age without substance.