Superfly
- 艺人
- Curtis Mayfield
- 语种
- 英语
- 厂牌
- Curtom
- 发行时间
- 1972年07月11日
- 专辑类别
- 录音室专辑
专辑介绍
关于这部1972年的电影，其实没有什么好说的。虽然这部电影在当时很叫座，而且也被认为是比较有影响的一部黑人电影（讲述的是个恶棍的罪恶经历），不过这种影响大概有很大一部分是来自于电影的配乐。到了30多年后的今天，电影的名头更是完全被原声大碟盖过去了。Curtis Mayfield演唱和制作的这张原声碟被认为是和Marvin Gaye的《What's Going On》齐名的灵魂乐大作，不过这张碟里收录的配乐还带有一些funk的特质，大概是跟剧情有关。
这张专辑在滚石杂志选出的500张历代最强专辑中排名第69位。TOP100中第一张电影原声。
The choice of Curtis Mayfield to score the blaxploitation film Superfly was an inspired one. No other artist in popular music knew so well, and expressed through his music so naturally, the shades of gray inherent in contemporary inner-city life. His debut solo album, 1970's Curtis, had shown in vivid colors that the '60s optimist (author of the civil-rights anthems "Keep On Pushing" and "People Get Ready") had added a layer of subtlety to his material; appearing on the same LP as the positive and issue-oriented "Move On Up" was an apocalyptic piece of brimstone funk titled "(Don't Worry) If There's a Hell Below, We're All Going to Go." For Superfly, Mayfield wisely avoids celebrating the wheeling-and-dealing themes present in the movie, or exploiting them, instead using each song to focus on a different aspect of what he saw as a plague on America's streets. He also steers away from explicit moralizing; through his songs, Mayfield simply tells it like it is (for the characters in the film as in real life), with any lessons learned the result of his vibrant storytelling and knack of getting inside the heads of the characters. "Freddie's Dead," one of the album's signature pieces, tells the story of one of the film's main casualties, a good-hearted yet weak-willed man caught up in the life of a pusher, and devastatingly portrays the indifference of those who witness or hear about it. "Pusherman" masterfully uses the metaphor of drug dealer as businessman, with the drug game, by extension, just another way to make a living in a tough situation, while the title track equates hustling with gambling ("The game he plays he plays for keeps/hustlin' times and ghetto streets/tryin' ta get over"). Ironically, the sound of Superfly positively overwhelmed its lyrical finesse. A melange of deep, dark grooves, trademarked wah-wah guitar, and stinging brass, Superfly ignited an entire genre of music, the blaxploitation soundtrack, and influenced everyone from soul singers to television-music composers for decades to come. It stands alongside Saturday Night Fever and Never Mind the Bollocks Here's the Sex Pistols as one of the most vivid touchstones of '70s pop music.
最新简评（共39条）
- @总在灵魂深处藏了一些喜悲(行到水穷我才开始害怕，夕...)：-
- @iwik French：黑胶已拿
- @嬉皮咳soul(音樂是意志的本身)：把这Soul给咳出来
- @南燥寺(身体的舍离)：好听
- @418。：
- @livogrild(听到喜欢的歌 身体不跟着...)：-
- @Elflock7(只有黄金年代90s是我的...)：
- @Jeffery(call me now,...)：黑胶已拿
- @无恶意 请理解(我还没想好要写什么...)：所有还没有被收监的罪人们，听听你们干了些什么？！
- @无恶意 请理解(我还没想好要写什么...)：觉得，这张跟What‘s Going On不同在于，它更根源，更揭露黑人底层的生活，这使得它听起来及肮脏又沉重。