by Jason Ankeny
After adding Cuban-born conguero Carlos &Patato& Valdes to his backing group on the recommendation of jazz DJ Sid Torin, Herbie Mann mounted a State Department-sponsored tour of Africa that further expanded his musical horizons -- Flautista!, recorded live at New York City's Basin Street East in June 1959, captures the flutist's deepening immersion in global rhythms and harmonies, ing a pan-cultural jazz aesthetic that points the way for the myriad world music efforts that followed in its wake. Favoring a subtle, thoughtful combination of bebop melodies and Afro-Cuban rhythms, the group -- also including Valdes, vibraphonist Johnny Rae, bassist Knobby Totah, and percussionists Santos Miranda and Luis Mangual -- delivers a beautifully light yet hypnotically insistent performance that suffers from none of the awkwardness endemic among these kinds of early fusion efforts. Mann even detours to the Far East for a cool, graceful rendition of the exotica staple &Caravan.& Verve's 1998 reissue appends a pair of unreleased cuts, &Delilah& and &Basin Street Este.&