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艺人
The Future Sound of London
语种
英语
厂牌
Jumpin' & Pumpin'
发行时间
1991年02月14日
专辑类别
录音室专辑

专辑介绍

by Ned Raggett

Compared to where most of the band's career would later go, Accelerator is a fairly conventional debut from the duo -- certainly it's the most explicitly commercial-minded the duo ever was, slotting in well with many other early-'90s U.K. dance/techno outfits. As such it's also arguably the least cryptic and most approachable release for newcomers, holding up well a decade after its original appearance. Rather than focusing on ambient experimentalism or industrial noise destruction, here Future Sound of London sound like a straightforward if at times inspired act, whose tendencies to push the envelope are secondary to keeping the beat going. The main reason to listen remains its awesome single &Papua New Guinea,& blending a treated vocal sample from Dead Can Dance's Lisa Gerrard with a slightly sped-up James Brown drum loop and other, more shadowy touches like echoed piano. The result combines exaltation, energy, and atmosphere into a dramatic result, as danceable as it is subtly threatening. At various points on Accelerator, FSOL show an inspired focus on breakbeats as much as acid pulses; while nowhere near as frenetic as other early hardcore/jungle creations, the music clearly leans towards those records in inspiration. &Expander,& which also appears in a remix at the end, makes for a good start for the album along those lines, while &Central Industrial& plays around with more distorted rhythms. At other points FSOL follows in more conventional veins -- &Stolen s& is practically an early 808 State track in all but name -- while throwing in odd noises and background quirks which in later years would dominate their own compositions. &It's Not My Problem& in particular is a fun little creepout, a flat semi-robot voice declaiming the title as needed while buried synths create a darker mood amidst the regular beat and additional, echoed percussion hits.


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