9.6分(178人评分)

1668人收藏

85条评论

共10首歌曲

在网易云音乐打开

艺人
Cocteau Twins
语种
英语
厂牌
4AD
发行时间
1990年09月17日
专辑类别
录音室专辑

专辑介绍

90年的Heaven Or Las Vegas是走向舞曲的作品,更是DREAM-POP音乐的典范,唱片一改以往阴郁的音乐基调,四处飘逸的是明亮的吉他声和欢快的旋律,Fraser的声线也变得柔软亲和。

by Ned Raggett

Deciding to scale back the overly pretty sound on Blue Bell Knoll while experimenting with more accessibility -- -- the Twins ended up creating their best album since Treasure. From the start, Heaven... is simply fantastic: on "Cherry-Coloured Funk," Guthrie's inimitable guitar work chimes leading a low-key but forceful rhythm, while Raymonde's grand bass work fleshes it out. Fraser simply captivates; her vocals are the clearest, most direct they've ever been, purring with energy and life. Many songs have longer openings and closings; rather than crashing fully into a song and then quickly ending, instead the trio carefully builds up and eases back. These songs are still quite focused, though, almost sounding like they were recorded live instead of being assembled in the studio. Due credit has to be given to the Cocteaus' drum programming; years of working with the machines translated into the detailed work here, right down to the fills. "Fifty-Fifty Clown," starting with an ominous bass throb, turns into a lovely showcase for Fraser's singing and Guthrie's more restrained playing. But the Twins don't completely turn their back on Knoll's sound; "Iceblink Luck," has the same lush feeling and a newfound energy -- the instrumental break is almost a rave-up! -- and everything pulses to a fine conclusion. There are many moments of sheer Cocteaus beauty and power, including the title track, with its great chorus, and two spotlight Guthrie solos: "Fotzepolitic," a powerful number building to a rushing conclusion, and the album-ending "Frou Frou Foxes in Midsummer Fires." Possessing the same climactic sense of drama past disc-closers as "Donimo" and "The Thinner the Air," it's a perfect way to end a near-perfect album.


热门评论


最新简评(共85条)