Come on Over

9.4分（105人评分）

1073人收藏

共32首歌曲

艺人: Shania Twain
语种: 英语
厂牌: Mercury
发行时间: 1997年11月04日
专辑类别: 录音室专辑

专辑介绍

专辑『Come On Over』是Billboard杂志'90年代专辑排行第3位的作品﹐把Titanic(铁达尼号)- 电影原声带抛之在后﹐拥有& You're Still The One &﹑& From This Moment On &﹑& That Don't Impress Me Much &﹑& Man! I Feel Like A Woman&与& You've Got Away &﹑&Don't Be Stupid&等7首英美TOP 10单曲﹐此张专辑由Shania Twain(仙妮亚唐恩)与制作人老公Robert Mute Lange (Def Leppard)联手制作﹐从纯纯情歌&You're Still The One&﹐加上管絃樂的誓言情歌&From This Moment&﹐俏皮强劲的&That Don't Impress Me Much&﹐结合Relvon露华侬化妆品行销的单曲&Man! I Feel Like A Woman&﹐搭衬浪漫约会电影Notting Hills(新娘百分百)的抒情曲&You've Got Away&﹐到新近混音改编成爱尔兰音乐乐&Riverdance&节奏感的&Don't Be Stupid&﹐发行单曲的曲式从慢板情歌到快版劲歌﹐再透过商品广告歌与电影主题曲这些包装﹐将乡村纯情风格转成无比庞大的亲和力﹐完全打破往昔乡村歌手的专辑仅能跨流行专辑榜却始终无法将单曲推向流行单曲榜的格局。

专辑『Come On Over』已连续三年获葛莱美奖的提名﹐2000年再以&You've Got Away&再获年度最佳唱片的提名﹐看来﹐任谁也无法遮掩Shania Twain(仙妮亚唐恩)的艳丽风情

by Stephen Thomas Erlewine

Shania Twain's second record, The Woman in Me, became a blockbuster, appealing as much to a pop audience as it did to the country audience. Part of the reason for its success was how producer Robert John &Mutt& Lange -- best-known for his work with Def Leppard, the Cars, and AC/DC -- steered Twain toward the big choruses and instrumentation that always was a signature of his speciality, AOR radio. Come on Over, the sequel to The Woman in Me, continues that approach, breaking from contemporary country conventions in a number of ways. Not only does the music lean toward rock, but its 16 songs and, as the cover proudly claims, &Hour of Music,& break from the country tradition of cheap, short albums of ten songs that last about a half-hour. Furthermore, all 16 songs and Lange-Twain originals and Shania's sleek, sexy photos suggest a New York fashion model, not a honky tonker. And there isn't any honky tonk here, which is just as well, since the fiddles are processed to sound like synthesizers and talk boxes never sound good on down-home, gritty rave-ups. No, Shania sticks to what she does best, which is countrified mainstream pop. Purists will complain that there's little country here, and there really isn't. However, what is here is professionally crafted country-pop -- even the filler (which there is, unfortunately, too much of) sounds good -- which is delivered with conviction, if not style, by Shania, and that is enough to make it a thoroughly successful follow-up to the most successful country album by a female in history.

Come on Over

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