Elgar: Cello Concerto / Brahms: Double Concerto / Debussy: Cello Sonata in D minor 埃尔加：大提琴协奏曲 / 勃拉姆斯：二重协奏曲 / 德彪西：d小调大提琴奏鸣曲
- 艺人
- Paul Tortelier
- 语种
- 其他
- 厂牌
- BBC Legends
- 发行时间
- 2008年04月28日
- 专辑类别
- 现场专辑
专辑介绍
Gramophone Magazine
September 2008
“…a fine portrait of the great French cellist Paul Tortelier at the height of his career…[His]personality is stamped on every bar of these live performances...It is specially valuable to have his view of the Elgar Cello Concerto…in a live recording which gives an even warmer, more spontaneous-sounding view of the piece in his distinctive interpretation.”
Gramophone Classical Music Guide
2010
“This generous collection of three favourite works provides a fine portrait of the great French cellist Paul Tortelier at the height of his career in the post-war period. It is specially valuable to have his view of the Elgar Cello Concerto, which he recorded commercially at least three times. Here it comes in a live recording which gives an even warmer, more spontaneoussounding view of the piece in his distinctive interpretation.
Tortelier strongly believed that Elgar's markings should not be exaggerated, in particular the marking tenuto, at which many interpreters bring the music practically to a halt. In the second- movement Scherzo, for example, the drawing out of the tempo in two key places is markedly less here than in most rival readings.
Tortelier also felt that the portamento slides should be kept to a minimum in the first movement, something he was able to achieve thanks to his very large hands. Even so, there is no lack of warmth in the dedicated slow movement or the meditative epilogue, which are given their full emotional weight.
The performance of Brahms's Double Concerto has similar qualities, and is important too for demonstrating what a fine violinist Tortelier's son Yan Pascal is. The bright purity of his violin tone contrasts illuminatingly with the richness of his father's cello tone.
The performance of the Debussy Sonata dates from much earlier, a 1959 studio recording, which yet brings out the natural spontaneity with which Tortelier tackled this improvisational work with its many stops and starts.
Recording quality is generally good, though in the Elgar the audience is irritatingly bronchial at times.”
最新简评（共11条）
- @肖茵：
- @念力鼠负( )：这砖分轨做得不是太好
- @蓊白(流萤断续光，一明一灭一尺...)：❤️❤️❤️
- @BlindTalker( )：据说是师徒 ……
- @新安闲人：大师
- @阿落(我还没想好要写什么...)：不知为啥会更爱这版。忧伤这事需要慢慢发酵，再如洪水猛兽般侵犯心脾。杜普蕾的倒是有些太阴柔了。（阿为什么开始听大提琴了呢 植子轩 ( ) 2015-02-11 00:13 为啥我觉得他演奏的和杜普勒演奏的特别像呢… 来自iPhone客户端 Alfie (一马离了西凉界。) 2015-11-19 00:47 植子轩说： 确实是师徒 来自android客户端
- @pierrot(pierrot)：good
- @Lilian：Paul Tortelier
- @Mr Shaw(Dream On)：感谢分享