Schumann: Cello Concerto / Dvořák: Cello Concerto 舒曼：大提琴协奏曲 / 德沃夏克：大提琴协奏曲
- 艺人
- Mstislav Rostropovich
- 语种
- 其他
- 厂牌
- BBC Legends
- 发行时间
- 2003年02月25日
- 专辑类别
- 现场专辑
专辑介绍
Gramophone Classical Music Guide
2010
“Truly legendary performances are rare, but this heroic account of the Dvorák Concerto deserves its place on collectors' shelves alongside such classics as Mravinsky's Shostakovich Eighth or Horenstein's Mahler Symphony of a Thousand.
This concert offers us a piece of history in sound that raises questions about music and politics, music and personality, music and identity.
In the Cold War era, no Western tour by Russian artists was entirely without political resonance, and this London Prom took place on the very day that Soviet tanks rolled into Prague.
With demonstrators outside the Royal Albert Hall, there was also dissent within. The performers might not have been directly to blame, yet had they not been dispatched knowingly, as cultural ambassadors? Svetlanov, at least, was something of an apparatchik. Moreover, the programme featured the Dvorák Concerto – an intensely nostalgic and nationalistic score, a natural focus for strong emotions.
On this privately sourced, somewhat compressed- sounding mono tape, you can hear the unease as Svetlanov and his raw-toned band tear into the work as if determined to get it over with as quickly as possible. It's the cellist, already in tears, whose transparently honest playing wins the audience over, as his sense of guilt and fury is transmuted into a potent requiem for the Czech Spring. The restated second subject is forcefully projected, suitably gutsy and passionate at the start, but it's the development which strikes deepest. Never has the first theme's metamorphosis from resolute, relatively short-breathed march to elegy struck home so movingly. The finale is almost too rushed until the tender, unmistakably tragic, coda arrives, presenting an extreme and all the more moving contrast.
The Schumann, though scarcely epoch-making in the same way, was recorded on the occasion of the cellist's first visit to the Aldeburgh Festival. It receives a glorious interpretation.
The sound, considerably more refined and open, is still mono only with the orchestra rather backwardly placed. Strongly recommended.”
最新简评（共10条）
- @肖茵：
- @withyou(音乐为伴，与你同在)：
- @阿信：此刻我在小区里散步，听着舒曼的大提琴协奏曲 昏暗的灯下 一个人没有 只有一丝丝冷风拂过 太有感觉了
- @快蜜(只可意會的美)：pass
- @小汤zart(无非就是这么些个趣味.)：音乐的抗议！
- @倒影：很喜欢
- @独风冷雨(阳光淌过手心天空笑了笑！)：喜欢~_~
- @cbonstc：就是喜欢啊
- @红(我还没想好要写什么...)：XH
- @Mr Shaw(Dream On)：感谢分享