2003年与金牌制作人Simon Climie(艾力克莱普顿「Pilgrim」、比比金)携手合作重现马文盖、戴安娜罗丝、史提夫汪达…等摩城经典的『Motown/世纪情歌』,创下千万销售佳绩! 『世纪情歌』中重新诠释"You Are Everything"、"Signed, Sealed, Delivered, I'm Your"、"I Want You"…等曲曲脍炙人口的优美情歌音犹在耳,2005年早春,环球音乐再度精选摩城经典曲续篇【Motown Two/世纪情歌第二章】,全美发行十天达金唱片销售认证、AMG音乐网站亦举四星推荐!
这张在法国东南部避暑胜地-尼斯筹划,并由Nicky Shaw、Toby Baker..等幕后制作群监制的摩城经典音乐特选,选录了14首划时代直击灵魂的畅销金曲,开场曲"You' re All I Need To Get By"和"After The Dance"、"Baby I'm For Real"重现马文盖经典;史提夫汪达的"I Was Made To Love Her"添加全新的放克新乐感,史提夫汪达的跨刀合声更让这首歌饶富新意!听麦可麦当劳和唐妮布蕾丝顿重新诠释"Stop, Look, Listen"有一种冰火相容的美妙,唐妮的性感穿梭在麦可如陈年美酒般的嗓音,堪称为年度最佳对唱单曲。
by Stephen Thomas Erlewine
Michael McDonald's 2003 album of Motown covers, modestly titled Motown, was his biggest hit in well over a decade, so it only made sense that he returned with a sequel to the record a little over a year later -- after all, might as well strike while the iron is hot. Logically titled Motown Two, the album follows the same blueprint as the first record, offering highly polished, professionally produced, expertly performed interpretations of gems from the Motown vaults; it's the sound of young America in the '60s reinterpreted for the adults of the new millennium. While the sound is the same, there are a couple of important differences this time around. First of all, there are a few celebrity cameos, a sign that this project has a higher profile than the first Motown record. These cameos -- Billy Preston on "You're All I Need to Get By," Stevie Wonder playing harmonica on his own "I Was Made to Love Her," a duet with Toni Braxton, "Stop, Look, Listen (To Your Heart)" -- all fit seamlessly into the album, and actually enrich the album, giving it warm, open-hearted feel, which is also reflected in a looser performance from McDonald himself. Last time, he was in typically fine voice, but here he really digs into the songs, making this a better listen in terms of sheer performance, but what really distinguishes this album -- and what makes it different from its predecessor -- is that there's a slightly adventurous streak in the choice of songs. There are big hits here, to be sure -- "Reach Out, I'll Be There," "Baby I Need Your Lovin'," "Tracks of My Tears," "What's Goin' On," "Nowhere to Run" -- but McDonald has also dug out some lesser-known tunes like "Tuesday Heartbreak," "After the Dance," and "Baby I'm for Real" that make this album a richer, more enjoyable listen than before. It's the rare sequel that improves on the original.