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共18首歌曲

在网易云音乐打开

艺人
Kate Bush
语种
英语
厂牌
EMI
发行时间
2005年11月07日
专辑类别
录音室专辑

专辑介绍

by Thom Jurek

Fierce Kate Bush fans who are expecting revelation in Aerial, her first new work since The Red Shoes in 1993, will no doubt scour lyrics, instrumental trills, and interludes until they find them. For everyone else, those who purchased much of Bush's earlier catalog because of its depth, quality, and vision, Aerial will sound exactly like what it is, a new Kate Bush record: full of her obsessions, lushly romantic paeans to things mundane and cosmic, and her ability to add dimension and transfer emotion though song. The set is spread over two discs. The first, A Sea of Honey, is a collection of songs, arranged for everything from full-on rock band to solo piano. The second, A Sky of Honey, is a conceptual suite. It was produced by Bush with engineering and mixing by longtime collaborator Del Palmer.

A Sea of Honey is a deeply interior look at domesticity, with the exception of its opening track, &King of the Mountain,& the first single and video. Bush does an acceptable impersonation of Elvis Presley in which she examines his past life on earth and present incarnation as spectral enigma. Juxtaposing the Elvis myth, Wagnerian mystery, and the image of Rosebud, the sled from Orson Welles' Citizen Kane, Bush's synthesizer, sequencer, and voice weigh in ethereally from the margins before a full-on rock band playing edgy and funky reggae enters on the second verse. Wind whispers and then howls across the cut's backdrop as she searches for the rainbow body of the disappeared one through his clothes and the tabloid tales of his apocryphal sightings, looking for a certain resurrection of his physical body. The rest of the disc focuses on more interior and domestic matters, but it's no less startling. A tune called Π& looks at a mathematician's poetic and romantic love of numbers. &Bertie& is a hymn to her son orchestrated by piano, Renaissance guitar, percussion, and viols.

But disc one's strangest and most lovely moment is in &Mrs. Bartolozzi,& scored for piano and voice. It revives Bush's obsessive eroticism through an ordinary woman's ecstatic experience of cleaning after a rainstorm, and placing the clothing of her beloved and her own into the washing machine and observing in rapt sexual attention. She sings &My blouse wrapping itself around your trousers/Oh the waves are going out/My skirt floating up around your waist...Washing machine/Washing machine.& Then there's &How to Be Invisible,& and the mysticism of domestic life as the interior reaches out into the universe and touches its magic: &Hem of anorak/Stem of a wall flower/Hair of doormat?/Is that autumn leaf falling?/Or is that you walking home?/Is that a storm in the swimming pool?&... Read More...


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