David Live

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艺人: David Bowie
语种: 英语
厂牌: RCA
发行时间: 1974年10月29日
专辑类别: 现场专辑

专辑介绍

◎Q杂志慎选为本世纪最伟大的明星第六名，立下20世纪摇滚史上传奇新页摇滚变色龙！游走於民谣、迷幻、庞克、摇滚、电子，并结合出电影、舞台剧、超现实主意、佛学概念，不断突破领域之蕃篱！

◎体验David Bowie 1974年费城Tower Theatre最黄金时期的现场演出、在David亲自挑选演唱下，精选出21首深具代表的经典佳作，重新赋予现场情绪感染的超震撼！

by Stephen Thomas Erlewine

During the supporting tour for 1974's Diamond Dogs, David Bowie shifted away from the arch camp of glam rock and turned toward a highly stylized variation of Philly soul -- a transition captured on the 1974 double live album, David Live. It's an interesting idea for a record, and certainly one that's fascinating as a historical footnote, but David Live winds up as one of the true failures in Bowie's catalog, one of the few records in his catalog that's a genuine chore to sit through from beginning to end. Part of the problem is inherent to any live Bowie LP: his concerts are equal parts visual spectacle and musical concert, so having just the aural portion of the show misses a crucial part of the story. Another part of the problem is that the soul reworkings of Ziggy Stardust, Aladdin Sane, and Diamond Dogs material is intriguing conceptually, but the execution, at least on this record, is awkward and ham-fisted, nowhere near as sleek and sexy as the subsequent Young Americans and, especially, Station to Station albums. And that points out the real problem with David Live -- the performances are stilted, lacking energy, and often degenerating into bland groove-oriented vamps. It doesn't help that the recording is lousy and that no amount of aural tweaking -- whether on Rykodisc's 1991 CD reissue or Virgin's expanded 2005 reissue, which is heavily remixed by its original producer Tony Visconti -- can change the fact that this is a flat, colorless experience. [The 1991 Rykodisc edition tacks on a number of bonus tracks at the end of the disc rather than insert them into the running order, which the 2005 Virgin edition thankfully did.]

David Live

专辑介绍

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