by Matthew Greenwald
Following the success of his third album, Lee Michaels continued the path of a solo artist -- solo meaning that most of the sounds on the record were primarily recorded by Lee alone. Organ (Hammond and pipe), piano, harpsichord, and organ bass create a heavy, dense foundation. Michaels had a unique sound, and along with his larynx-shredding vocals, the results are staggering. Aided by Joel Larson on drums, Michaels does a lot of covers on this record -- including &Willie and the Hand Jive,& &Ya Ya,& and &Can I Get a Witness.& Michaels renders them all in an infectious, gospel style. There are only a few originals on the album, and one, &Do You Know What I Mean& (which really sounded like a cover), was a monstrous hit and cemented Lee Michaels as one of the best white blues performers of the period, along with Joe Cocker and Steve Winwood.