Soul of the Tango: The Music of Astor Piazzolla 探戈灵魂
- 艺人
- Yo-Yo Ma
- 语种
- 其他
- 厂牌
- Sony Classical
- 发行时间
- 1998年01月01日
- 专辑类别
- 录音室专辑
专辑介绍
1999年格莱美最佳古典跨界专辑
由马友友演奏的专辑《探戈灵魂》是由阿根廷著名作曲家阿斯托皮亚左拉（Astor Piazzolla 1921-1992）所作。专辑的制作人是阿根廷享誉盛名的奥斯卡卡斯特罗那维斯（Oscar Castro-Neves）。这张专辑共有十一个曲目，全为阿斯托皮亚左拉所创作。皮亚左拉这位在法国受到正规作曲法训练的阿根廷作曲家，最终选择了将探戈作为自己的创作源泉和生命。是他赋予了探戈新的生命力。
虽然马友友录制了上百张CD, 这张专辑仍是他最喜爱的专辑之一。正如他所说：“皮亚左拉的探戈完全不同于你以往所听到的探戈。我最大的遗憾就是没能见到皮亚左拉本人。” 在马友友录制这张唱片时，皮亚左拉已经离开人世。所幸的是马友友和皮亚左拉生前的好友及工作伙伴一起演奏并录制了这张唱片。
by Adam Greenberg
Inspired by a general love of the tango, and more specifically the tango of Astor Piazzolla, on the part of Yo-Yo Ma, the Soul of the Tango album is a masterful work of the nuevo tango, played by Ma's cello and many of Piazzolla's former associates. Piazzolla's old guitarists Sergio and Odair Assad even showed up to work on a pair of tracks arranged by Sergio: the Tango Suite (consisting of Andante and Allegro). The sheer beauty of one of Piazzolla's tangos is generally enough to warrant the purchase of an album containing them. An album such as this one, where all of the songs -- save one: Tango Remembrances, where Ma plays along with outtakes from Piazzolla's recording of The Rough Dancer and the Cyclical Night album are compositions by Piazzolla -- is even better. Add to this the masterful playing of Ma, and the surprising facility in which the cello fits into the tango, and you've got what could become a classic album, if only it weren't on the classical label from Sony. The album begins with Libertango, a composition from Piazzolla's first album that became the theme song for the movie The Tango Lesson. Following is the pair of tracks in the Tango Suite from Sergio Assad. Then comes Sur: Regreso al Amor, a softer work, though with some definite virtuosity displayed. Le Grand Tango is an 11-minute tour de force in the tango, and Fugata is a tango written under the guidelines of a classical fugue. The next work is the aforementioned Tango Remembrances, which is a particularly nice work, probably due to the appearance of Piazzolla's own playing. Mumuki is a more complicated composition, and "Tres Minutos con la Realidad" is a choppier, peppier work. Milonga del Angel is a seemingly sentimental work that shows off Piazzolla's ability to express the emotions of a song perfectly and purely. To finish the album, Ma presents Café 1930, a rather slow-paced work, but again, as in Milonga del Angel, Ma expresses emotion very fully in its nostalgia. Overall, the album is a stunning work of art, and even those who may not have heard of Piazzolla could easily be lured to his music via this single album.
热门评论
- @未知生物：******
- @echochrome：第一次听这张碟，还是你借我的那张md碟，当时就在机器里没日没夜翻来覆去的听，可惜再也没机会把碟还给你，更可惜的是我也听不了了，md的电池已经没地方买了。属于我们的青春时代就这样悄无声息的过去了……
- @Dumxi：下架了我去
最新简评（共276条）
- @天使angel(我还没想好要写什么...)：～
- @灵魂霎哈嘉(爱之与我,不是肌肤之亲,...)：如果马友友和皮亚佐拉相遇了 他们一定是彼此的soul mate！
- @virtue2012：车里唯一一张CD，循环在听，非常经典。
- @蔷薇林87：马友友的libertango非常经典，睡前听了特激动特精神! 演绎非常精彩，听过很多版本，无出其右，那种激情让我感到了自由奔放的tango！全身细胞跟着颤抖！
- @倩倩CQnnnn：很有感觉
- @ODO：最爱的一张
- @PPpyr(谢谢你, 给过我答案. ...)：专辑里 没哪首不爱的 是什么 成就了经典？？
- @好地方_(白茶清欢无别事，碧海金阳...)：马友友：1999年格莱美最佳古典音乐跨界专辑
- @reygmcgxdr(我还没想好要写什么...)：@虾小米 整理重复曲目