Plays Debussy
- 艺人
- Jacques Loussier Trio
- 语种
- 英语
- 厂牌
- Telarc
- 发行时间
- 2000年09月26日
- 专辑类别
- 录音室专辑
专辑介绍
by Rick Anderson
When Jacques Loussier gave the music of Johann Sebastian Bach the jazz treatment (as others, notably the Modern Jazz Quartet, had before him), it worked really well. The tumbling flow of Bach's contrapuntal lines, the square rhythms that just beg to be played with a swing feel -- everything about Bach that makes his music the farthest thing from jazz seems to make jazz adaptations inevitable. The French composer Claude Debussy is a less obvious choice, and on this album you see why. Debussy was a much more impressionistic composer, and his music doesn't have either the rhythmic vitality or the sense of driving tonal logic that fuels the music of Bach. That makes it harder to fit his compositions into a jazz context. That Loussier succeeds as much as he does is a compliment to his sensitivity as a pianist and to his trio's ability to work with him intuitively. Loussier's renditions of "Prelude a l'Apres-Midi d'un Faune" and "Reverie" sound a lot like Bill Evans at his most ethereal; things pick up a bit on "L'Isle Joyeuse," but even that relatively energetic track is pretty well lacking in swing. The final result is music that doesn't sound much like jazz, but is quite enjoyable anyway.
最新简评（共29条）
- @木鸡(～)：～
- @窈窕如树(屋檐下，风铃在歌唱)：收藏了Jacques Loussier Trio演奏的几乎全部的的巴赫，百听不厌，每次欣赏都惊叹这几位“化腐朽为神奇”的高超音乐鉴赏和表达天赋。(这样说当然不对，巴赫不是腐朽而是不朽。我的意思是，Jacquess使古典焕发了现代光彩。)听了他的德彪西，更是惊奇和惊喜。我觉得这几首德彪西完美保留原作风味，又淋漓尽致地发扬光大了德彪西特有的美质。这些演绎跟他们的巴赫一样，水准超高，百听不厌。
- @四月是您的谎言(蓝调,爵士,电子,咽嗓,...)：印象派。素雅安宁温柔。
- @尘埃中的素颜(凭你莺啼百转，我只应你叽...)：
- @大喵(不要自我设限.....)：
- @nuonuo：)
- @aurora(O)：
- @Greenman：德彪西的印象派作品一经如此改遍，在听觉上无疑增添几层色彩和立体感，但同时也使得描述的印象变得更扑朔迷离。这大概是现代爵士乐演绎印象派古典音乐最为称道之处。 由此说来音乐离不开创新，且这种创新既要注重音乐风格的渲染，又必须结合古典与现代的时空反差。雅克·卢塞尔爵士三重奏乐队正是在这样一种古典音乐与当代爵士乐的结合中表现得近乎完美。
- @絜昜(我还没想好要写什么...)：囍
- @凉虾(归于传统)：❤❤❤❤❤推荐