光音

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共5首歌曲

艺人: 许雁婷
语种: 纯音乐
厂牌: StreetVoice
发行时间: 2020年11月20日
专辑类别: EP、单曲

专辑介绍

当12英吋黑胶唱片大小的传统花纹玻璃放上唱盘，因著不同纹路，可以听见宛如电音、心跳、爆裂、呢喃等各种频率不同声音，甚至是隐藏其中的一段旋律。每片玻璃都像一个星球，在独特的节奏与声响中闪烁。专辑音乐从传统花纹玻璃的视觉、触觉、听觉，及其制成过程中触发想像，在聆听玻璃纹理间提炼、调变，寻找玻璃星球撞击迸发的火光，与我们之间相连的宇宙。

＊海棠花 Begonia flowers

海棠花堪称台湾传统窗花中最经典的花纹之一，无数的老花窗蕴藏著家家户户的记忆之光。在〈海棠花〉中，以海棠花玻璃纹路的声响为基底调变，如海浪般的声音，夹杂著欢笑、喧闹、日常，是一首关于共同记忆的篇章。

（玻璃纹路：海棠花）

＊行星 Planet

初次听见不同花纹的玻璃放上黑胶唱盘的声音，便联想到宇宙与星尘。每片玻璃都像一颗星球，有著各异其趣的声响与个性，遵循运行的轨道，随著唱盘转动有重复节奏，有些在重复之中也会渐变。〈行星〉像是在爆炸的宇宙中捡拾一些星星的碎片，重组成另一个宇宙。

（玻璃纹路：吹制透明波纹、牡丹花、十字纹、吹制白色）

＊透明 Transparent

玻璃从视觉、触觉、听觉上都有清透的质地，但玻璃放上唱盘的声音却多是厚重而直击耳膜的。在或清脆或狂躁的玻璃声响中，时而有自然的想像，比如风雪、比如海。

（玻璃纹路：吹制透明波纹、海棠花、口吹黑色）

＊光的记艺 Craftmanship

回应选择古玻璃和镶嵌玻璃工艺为本的真真，收录工艺制程之声响：切割、打磨、焊接等，融入玻璃的声音，为双手的温度留下记忆。

（玻璃纹路：闪钻花、吹制透明波纹、吹制白色）

共同创作：真真镶嵌玻璃研究所

Co-Creation: zhēnzhēn Stained Glass Lab

“ 是光同时也成为光音 ”

我们群居、独处、隔离，我们聆听、创作、表演。在2020年的世界共振中，我们寻找生命的音频，在习以为常的认知中摸索未来的可能性。真真镶嵌玻璃研究所每一年度会与艺术家合作专案，2020邀请声音艺术家许雁婷共同创作，以品牌即是平台的概念，探索未知的创作边界，共同抵达于光的前方。编号L001，是真真研究所创作出的第一个灯具作品，使用一片圆形玻璃，外圈镶嵌焊锡即可说完镶嵌玻璃工艺与当代设计脉络的线索，其尺寸是致敬十二英吋黑胶唱片的规格，在此次的共同创作主轴以黑胶盘唱针接触玻璃的凹凸花纹转换成类比音讯，同时收录镶嵌玻璃工艺中玻璃切割打磨焊接的各种制成声响，合作艺术家许雁婷将其编曲成专辑“Relight +MUSIC”。

创作概念：真真镶嵌玻璃研究所、许雁婷

音乐创作/制作：许雁婷

玻璃创作/制作：真真镶嵌玻璃研究所

When a piece of patterned glass, approximately the size of a 12-inch vinyl record, is placed on a turntable, what arises from the textures of the glass patterns are sounds of varying frequencies and modulations: electronic beats, heartbeats, bursts of noise, and murmurs. By listening carefully, even melodies unfolding in the background can be heard. Each piece of glass is like a planet, twinkling within the space of unique rhythms and sounds. Using the visual, tactile and auditory features of traditional patterned glass, as well as the glassmaking process, this album hopes to trigger a sense of wonder and imagination in the listener. Listening to the refinement and modulation found within different patterns, we search for the fire and light arising from the impact of glass planets and the universe created between listeners and sound.

*Begonia flowers

The Begonia flowers pattern is perhaps one of the most popular window grill designs in Taiwan. Among these time-worn patterns are stored the memories of generations of families. In “Begonia flowers,” the music emitted from the etched glass arrives as a low-pitched modulation, much like the sound of waves. From this foundation, spikes of laughter, commotion, and the hubbub of daily life emerge. This is a piece rooted in our collective memory.

(Glass Pattern: Begonia Flowers)

*Planet

The first time hearing etched glass on a vinyl turntable, what came to mind was the sound of the universe and star dust. Each piece of glass can be seen as a planet. With differing sounds and personalities, they orbit along a set track—some repeating a rhythm which each rotation, others gradually changing across rotations. “Planet” is best described as gathering up the pieces of stars from an exploding universe and assembling them in a new universe.

(Glass Patterns: Handblown Transparent Ripples, Peony Flowers, Cross Patterns, Handblown Frosted White)

*Transparent

To the eye, ear, and touch, glass has a lucid and clear texture; placed on a turntable, however, the sounds that emerge are thick and heavy in the eardrum. Among the sometimes crisp, sometimes maniac sounds of glass, the imagination gives rise to a sense of natural features such as the wind, snow, or sea.

(Glass Patterns: Handblown Transparent Ripples, Begonia Flowers, Mouth-blown Black)

*Craftmanship

Working in partnership with the zhēnzhēn Stained Glass Lab, the sound of glass being made—i.e. the cutting, grinding, and welding—joins with the sound of glass itself. “Craftmanship” is a celebration of the process, intensity, and love of the glass-making process.

(Glass Patterns: Diamond Flowers, Handblown Transparent Ripples, Handblown White)

Co-Creation: zhēnzhēn Stained Glass Lab

“It is light, as well as Relight&Music”

We live in groups or alone. We listen, create, and perform. Across the resonance of 2020, we search for life’s auditory frequencies, shifting through habitual knowledge for future possibilities. Every year, zhēnzhēn Stained Glass Lab cooperates with one artist for a special performance, exhibition, or installation. This year features the music of sound artist HSU Yen-ting. With “brand as a platform” as our concept, we look to explore untouched creative boundaries and to experience together the fire and light of the glassmaking process.

Product serial number L001 is the first lamp that zhēnzhēn has created. The glass, round in appearance, features soldered glass on its outer ring that highlights both elements of stained glass craftmanship and modern design concepts. Its size is a nod to the specifications of the 12-inch vinyl record as, in this co-creation, a vinyl turntable plays across the ridges and grooves of etched glass “records” to create a range of sounds. At the same time, the various sounds of the glassmaking process— the cutting, the griding, the soldering, etc.—as heard in zhēnzhēn Stained Glass Lab have been included and arranged as part of HSU Yen-ting’s new album Relight+MUSIC.

Creation Concept: zhēnzhēn Stained Glass Lab, Yenting Hsu

Music Creation/Production: Yenting Hsu

Glass Creation/Production: zhēnzhēn Stained Glass Lab